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Here’s What Went Behind Creating Gritty Looks of Dhurandhar's Cast_我的网站

A |     俳優の高石あかり（※高＝はしごだか）主演を務める、NHK連続テレビ小説『ばけばけ』（月～土　前8：00　NHK総合　※土曜日は1週間の振り返り／月～金　前 7：30　NHK　BS、BSプレミアム4K）の第102回が、24日に放送された。

B | 以下、ネタバレを含みます。    Dhurandhar has become one of the most talked-about films of 2025. As much as the actors, the credit for its success goes to the crew. The costumes, makeup and more were done with detailed precision. Every scar, every gash, every smear of blood had to feel startlingly real. It demanded hours of intricate prosthetic work and on-set precision. From open wounds built layer by layer, to sweat, dust, tanning and climate-worn textures, the film’s visual violence was crafted with obsessive detail. HMU and Prosthetics Head Preetisheel opened up about the same.          She shared, "Working on this film was a really special experience because I got to transform so many different actors into such powerful characters. Be it Hamza, Iqbal, SP Aslam, Sanyal or Rehman, each character was played by such strong actors that it was a challenge to give them looks that were different from each other yet belonging to the same world. Every character whether their role was big or small had a clear backstory, and that made the process much more meaningful."The ensemble of the film was led by Ranveer Singh, Akshaye Khanna, Sanjay Dutt, R. Madhavan and Arjun Rampal. Preetisheel explained that the script demanded a visual universe where every character’s appearance felt rooted in the same soil but still distinct enough to instantly communicate personality.She further added, "I put a lot of thought into even the secondary and tertiary character as well because they each had their own quirks and unique traits. Showing their rawness through makeup was important to me. Adding detailed layers and textures helped bring out who they really were, making even the briefest appearances feel real and lived-in. Hair became a key storytelling tool, evolving across the film to show time, pressure, and emotional shifts. Even little elements like scars, tanning, sweat, and dust were added with purpose and matched meticulously for continuity. And the blood work and prosthetics took things to another level; some of it is genuinely stomach-churning."          Opening up about the story of every character, she added, "Creating those visceral injuries and killings added a brutal honesty to the film that I’m really proud of. It felt like I was helping tell each character’s story in the best way I could. None of which would be possible without my amazing team that stood by me and worked hard all throughout the film to bring my vision to life."     Also Read: Deepika Padukone and Ranveer Singh’s exchange over Ranveer’s Madame Tussauds statues wins hearts。【写真】ネット騒然となった新キャスト 　本作は、松江で生まれ育ったヒロイン・松野トキ（高石）がつまずきながらも前向きに生きていき、世界を転々とした末に日本にたどり着いた外国人の英語教師と出会い、“怪談好き”という共通点から次第に心を通わせていく。「怪談」を愛し、外国人の夫と共に、何気ない日常の日々を歩んでいく夫婦の物語。松江の没落士族の娘・小泉セツとラフカディオ・ハーン（小泉八雲）をモデルに、大胆に再構成して登場人物名や団体名などは一部改称してフィクションとして描く。原作はなく、脚本はふじきみつ彦氏が手掛ける。

C | 　第102回では、ヘブン宛に原稿料80円が届けられる。思った以上の金額に一同は驚き、ヘブンは「これからは作品を書いて稼いでみせる」と宣言する。しかし、作山（橋本淳）が心労で倒れた影響もあり学校の仕事が増え、執筆の時間を確保できない。焦りから家族にあたる場面も描かれた。　トキはヘブンを支えようと、皆で題材探しをすることを提案。フミ（池脇千鶴）は書店で「琴線に触れるものがあれば」と分厚い本を次々と購入するなど、それぞれが奔走する。　帰り道、トキは暗い雰囲気をまとった女性・吉野イセ（芋生悠）と出会う。地蔵に祈るトキに対し、イセは「お地蔵様に車引きと祈るとかなわないという言い伝えがある」と声をかける。永見剣造（大西信満）が否定すると、「ウソつきは来世で蛇になる」と言い放つ。不気味な言葉にもトキは「面白い」と興味を示し、ヘブンが好みそうだとつぶやいた。

D | 放送後、SNSには「怖いよ」「ホラー感満載」「不気味だ」「ミステリアス」といった反応が続出。幽霊のようなたたずまいに朝からひんやりしたとの声も見られた。　同日放送の『あさイチ』（月～金　前8：15）では恒例の“朝ドラ受け”が行われ、鈴木奈穂子アナウンサーが「ラストにあの女性が出てきてから空気変わりましたよね。怖い」とコメント。博多大吉も「最初、この世のものとは思えないようなたたずまいでしたから」と語り、博多華丸も「おトキにしか見えてないかなと思いきや、みんな見えていましたね」と反応した。大吉は「でもいいヒント。ここから怪談が、いよいよ書き始めるんじゃないですか」と今後の展開に期待を寄せた。

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Published on:20:58:51